Crumb and Stanley Mouse soon saw their images appropriated for use on LSD art, which featured the likes of “Mr.
(This cover later appeared in miniature on LSD blotter art.) In San Francisco, underground comic and rock-and-roll poster artists like R. The album cover art that they produced for Santana’s Abraxas reflected this new style. In the late 1960s, “fantastic realist” painters like Mati Klarwein and Robert Venosa were heavily influenced by LSD. Perforations for blotter are nowadays primarily done by professionals in the print industry, quickly stamped out by the thousands via automated die-cutting machines.Īs LSD entered our cultural consciousness, it affected a generation of artists. One blotter art producer recently even went so far to print his design on a hemp-blend paper with soy-based edible inks. These days, the art is usually printed via the four-color separation process. This trend has continued, and even today, most street LSD is still distributed on perforated or unperforated blotter paper, often covered with logos or art, and sometimes sold under “brand names.” In the past, blotter art was printed fairly secretively, with underground producers perforating it using hand-cranked machines, feeding in a single sheet and cutting it in one direction at a time, before flipping the sheet 90 degrees to crank the completing set of perf lines. Around 1970, LSD first began to appear on sheets of perforated blotter paper. This story is about the origins and development of blotter as an art form.Įarly on in the underground trade of illegal LSD, it was distributed in pills or capsules, or sometimes dropped onto sugar cubes. MAPS has recently received nearly $20,000 due to the sale of signed blotter art that was donated by Tom Lyttle and Jon Hanna.
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